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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Mark Gosney's Studio Details
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E-mail: Click To Send E-mail
Web site: www.mp3.com/Mark_Gosney
Main purpose: Composition
Secondary purpose: Demos
Recording knowledge level: High
MIDI knowledge level: Above average
Typically work (with): Alone
Completed songs/demos/jingles: 5-20
Future plans: To complete and record my next Guitar Instrumental album. Start my next band and get into the commercail music industry
Guitars: Fender signature series Yngwie Malmsteen American Strat, Washburn MG-70, Custom made strat style axe with a deep scalloped neck
Keyboards: Roland series digital piano that can be used as a midi controller(Planned for upgrade)
Sound modules: Roland JV-1010
Percussion: Boss Dr. Rhythm DR-660
Effects: Yamaha FX-500(Studio Only), Alesis Midiverb3 (Used for studio and Live work), On board Roland effects processors in my Roland VS-1824
Microphones: Various Shure microphones
Mixer: Tascam TM-D1000 Digital Mixer
Tape decks: Kenwood Sterio dual tape deck
Hard disc recorders: Roland VS-1824CD
Monitoring system: Roland DS-50a Powered Digital monitors with modeling capability
Computers: Dell Optiplex GX100, Dual Maxtor IDE 7200 RPM 40 GB drives running on a IDE Raid 1 Controller,256 MB SDRAM
Music software: Cakewalk 9.0 Digital Pro Audio
Other equipment: Tascam CDRW-5000 Burner, Beringer patch bay, Two Awesome old Marshall heads, one JCM dual channel 50 watt and one JMP Lee Jackson modified 100 watt, with 2 vintage 4 x 12 cabs, New Mesa Boogie Triaxes Pre amp with matching 2:50 power amp, Shure wireless
Comments: I love to play, perform and record music, and I do it quit well
If you are Mark Gosney and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
