HSR Index
Join the Registry!
Site Search
more information
The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
hide additional information
Click here to create a
link to this page
|
|
|
|
|
|
| Keith Flanegan's Studio Details
|
I am still working on my studio, but it's gonna be awesome when it's done!
E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Composition
Recording knowledge level: Average
MIDI knowledge level: Just learning
Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100
Future plans: I hope and dream to make a name for myself as a writer of lyrically meaningful songs, as well as a composer of intelligent music that will either make you dance or will make you think. In the future I plan on recording an album of original, poetic rock and alternative songs.
Guitars: In the studio I use a Yamaha acoustic guitar and a Samick Les-Paul-wanna-be electric guitar. Although the samick isn`t the real thing, I am very pleased with the quality of the sound it creates. The Yamaha works, i suppose...
Keyboards: I use a MIDI compatible Casio keyboard. I hope to upgrade someday, but for now thi keyboard suffices.
Percussion: My friend has a basic five piece Rogers drum set. I play the triangle.
Effects: Not yet! Well, actually, I have a homemade guitar amplifier that makes some effects. Not intentional, though
Microphones: I have a microphone that has no name written on it. Doesn`t work well. need new1
Other equipment: I own an impressive 30 foot cable...
Comments: I am still working on my studio, but it's gonna be awesome when it's done! maybe
If you are Keith Flanegan and you want to update your listing, click here.
|
|
Vol. 16, No. 6: Apr.-May 2012
