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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Justin Lipscomb's Studio Details
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The sound of things operates by the philosophy that the more comfortable the artist is, the better they will perform.
E-mail: Click To Send E-mail
Web site: www.users.ezwv.com/~catrpilr
Main purpose: Recording
Secondary purpose: Composition
Recording knowledge level: High
MIDI knowledge level: Above average
Typically work (with): Other musicians
Completed songs/demos/jingles: 41-60
Future plans: The plan is to build a clientelle that are overwhelmingly satisfied with the product we offer and likewise to promote for all artists a positive atmosphere for creativity.
Guitars: Varies.Preferably what the artist uses so that they are comfortable.
Keyboards: Varies.Preferably what the artist uses so that they are comfortable.
Sound modules: Varies.
Percussion: Two kits available. Preferably what the artist uses so that they are comfortable. (Seeing a pattern?)
Effects: Both outboard and PC based.
Microphones: Ranging from tube driven condensors, capsule condensors, dynamics, and junk taht works.
Mixer: Varies. Alesis, Tascam,. . .
Tape decks: Reel-to-reel 1/4", 4trk cassette, 2trk cassette, ADAT
Hard disc recorders: None.
Monitoring system: Mulitiple sound recall devices in order to get best indication of true sound.
Computers: You`d never believe I record with it, but I do! and mix and master, and make cover art. . .
Music software: Cool Edit Pro, Cubase VST, Sound Forge . . .
Other equipment: Yep.
Comments: The sound of things operates by the philosophy that the more comfortable the artist is, the better they will perform. This is why we prefer to travel to the artist, record them where they practice (if possible), and get to know the character of the musician(s) and apply that to the mixdown/mastering processes. If there is no practice space, we will find one which best suits the nature of the music and supports the best acoustics for recording.
The goal is affordable recording with professional results, and no pain...well, maybe a little, but no hassles.
If you are Justin Lipscomb and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
