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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Judatri Suprijanda Joewana's Studio Details
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Still trying to enhance the quality / technique of my recording.
E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Demos
Recording knowledge level: Average
MIDI knowledge level: Average
Typically work (with): Other musicians
Completed songs/demos/jingles: Less than 5
Future plans: Records a Christian Album
Guitars: Aria Concert Guitar (Accoustic)
Prince Electric
Accoustic Jazz Bass (Upright Bass)
Keyboards: Kurzweil K2500 and old faithful Roland SR String
Sound modules: Roland JV880 Expanded and Korg Wavestation SR
Percussion: Drums, Conga, Cabassa, LP Shaker, etc
Effects: Roland SRV330 Reverb, ART Multiverb Alpha 2.0 Multieffect, Boss SD-1 O.drive and Boss Digital delay, DOD Heavymetal
Microphones: RODE NT-1 Large Con, Shure SM57 and TOA Small Con
Mixer: 2 pcs YAMAHA DSP Factory Mixing Cards
Tape decks: None
Hard disc recorders: None
Monitoring system: Spirit Absolute Zero Nearfield with A&R Cambridge Power amp, and Sony Headphone
Computers: Pentium 3/575 with 13,5 Gb 7200rpm IDE HD and 128 Mb RAM
Music software: Cakewalk Pro Audio 9.03 with many plug-ins (Wave, Timeworks,Sonic Foundry, Antares Autotune, etc)
Other equipment: Ensoniq KMX-8 MIDI Patchbay, Behringer Ultrapatch Pro 48 point patchbay, ART SC-2 Dual Compressor/limiter/gate, and PRESONUS MP20 Dual Preamp. Sony Home speaker and Denon CD Player and Tape Deck/recorder.
Comments: Still trying to enhance the quality / technique of my recording. Plan to buy SPL Jack Vitalizer for Stereo Expander/Enhancer
If you are Judatri Suprijanda Joewana and you want to update your listing, click here.
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Vol. 17, No. 2: Feb.-Mar. 2012
