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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| John Watkins's Studio Details
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My studio sounds good to me.
E-mail: Click To Send E-mail
Main purpose: Recording
Secondary purpose: Composition
Recording knowledge level: Above average
MIDI knowledge level: Above average
Typically work (with): Alone
Completed songs/demos/jingles: More than 100
Future plans: Trying to finish solo intrumental album, but other projects keep getting in the way.
Guitars: Hamer Diablo, 62` reissue Strat, Barrington neck-through, Samick 5 string bass, Ovation Celebrity, and a Simon & Patrick acoustic.
Keyboards: Alesis QS6, Akai KC20
Percussion: Roland TD5 digital drum set, and whatever drummers bring with em`
Effects: Alesis Midiverb, Lexicon multifect, and an ART multifect For dynamics I have a Behringer Autocomm and and a DBX DDP
Microphones: CAD E-350, Shure SM-81, Beta 52, SM58 (3), SM57 (7)
Mixer: Mackie 32, 8 Bus with the meter bridge (ya gotta have the meter bridge)
Monitoring system: Amps: Alesis RA-100 and a 80 pound Yamaha (800w a side) Speakers: Cerwin-Vega 4-ways with 15" woofers, Jamo Coronet 3 ways, and a pair of JBL near fields. Headphones; Fostex
Computers: 2 Zenith MX Servers with a total of 500 meg of RAM and 38GB of disk. A Clone 350mhz with 192mb and an 8gb drive. 2 Laylas, 2 burners, 3 17" monitors
Music software: Cakewalk 8.0 Pro Audio, Sound Forge 4.5, Adaptec EZ-CD Creator and lots `o` plug-ins
Other equipment: I have bongos. They`re neato.
Comments: My studio sounds good to me. I don't really have anything to compare it to because everyone I know either has a lot less stuff or a heck of a lot more.
If you are John Watkins and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
