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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| John Michael Zorko's Studio Details
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My home studio is set up for producing the sort of music I do -- ethereal, ambient noir, electronic.
E-mail: Click To Send E-mail
Main purpose: Recording
Secondary purpose: Composition
Recording knowledge level: Above average
MIDI knowledge level: High
Typically work (with): Alone
Completed songs/demos/jingles: More than 100
Future plans: More music! Start a record label to release my stuff on. Even more music!
Guitars: Yamaha electro-acoustic 6-string, Kramer Focus 4000
Keyboards: Roland JV90, Yamaha SY77, Ensoniq VFX, Roland Juno 106
Sound modules: Roland JV880, Yamaha TG33, Emu Emax II, Akai S01, Kawai K4R, Ensoniq ESQ-M
Percussion: Yamaha RY30, samplers (Akai, Emu)
Effects: Lexicon LXP-5, ART SGX2000, Alesis Quadraverb, Alesis 3630 Compressor Yamaha EMP100, Aphex Aural Exciter, Yamaha EQ
Microphones: Audio Technica
Mixer: Mackie SR24o4
Tape decks: Sony DTC-A7 DAT recorder
Hard disc recorders: Yamaha CBX-D5
Monitoring system: Yamaha A100a, Tannoy PB 6.5 IIs, Yamaha NS10Ms
Computers: Apple Power Macintosh 6100/60 1.2G disk, 24M RAM
Music software: Macromedia Deck II, Emagic Logic (Audio coming soon) various shareware sound mangling tools
Other equipment: Opcode Studio4 MIDI interface
Comments: My home studio is set up for producing the sort of music I do -- ethereal, ambient noir, electronic. I get really good sound quality but I don't have the equipment (or the know-how) to record more than 2 mono inputs or 1 stereo pair at once. Lots of MIDI, lots of sampling, lots of effects, vocals, etc.
If you are John Michael Zorko and you want to update your listing, click here.
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Vol. 17, No. 2: Feb.-Mar. 2012
