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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| John Lupton's Studio Details
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E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Recording
Recording knowledge level: Above average
MIDI knowledge level: Average
Typically work (with): Other musicians
Completed songs/demos/jingles: 61-100
Future plans: Record Progressive/Rock/Jazz CD
Guitars: 1969 Gibson Flying V Fully Customized and Applause D-38 Acoustic/Electric
Keyboards: Roland XP-10 and Kurzweil With MOTU Freestyle and Turtle Beach Midi Orchestrator
Sound modules: Kurzweil Computer Synthesizer Module
Percussion: Alesis HR-16 Plus / Roland XP-10 Drums
Effects: Roland VS-840 FX / Boss SE-50 / Yamaha GEP-50 / DBX 161b Compressor/Limiter
Microphones: Stereo Matched Pair of Electro Voice N/D 257a`s / Shure BG-1 / Shure SM-57 Shure SM-58 / Shure P-87 / Audio Technica Pro-7
Mixer: Roland VS-840
Tape decks: Roland VS-840
Hard disc recorders: Roland VS-840 Coll Edit Pro
Monitoring system: Sampson Servo 120 / Digital Designs M6b`s / Custom JLL-81`s Koss TD-60, SONY MDR-P1, and Yamaha Headphones
Computers: Compaq Deskpro 2000 w/ 3.2 GIG Harddrive-64 MEG of SD-RAM... SONY CDR928 CD Rec.
Music software: Sony CD Right CD Software, Adaptec CD Creator,Cool Edit Pro,Turtle Beach Malibu MOTU Freestyle, Midi Orchestrator Plus, Spectrogram anylizer
Other equipment: Various Percussion Instruments, Holton Al Hirt Model Trumpet King Cornet (1922 model) Various Saxaphones and Harmonicas Yamaha PSR-500 and 2 Basses and a partridge in a pair tree!!!
Comments: I do a lot of demo CD's for local Oklahoma Acts (all Music Styles) We do mobile Digital Recordings and CD Mastering
If you are John Lupton and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
