Guitar Nine Records - Home Studio Registry

Vol. 17, No. 2: Feb.-Mar. 2012

G9 BackStage!

John Ingra

Home Studio Owner

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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.

Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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John Ingra's Studio Details

I STARTED RECORDING MUSIC LIKE ALOT OF PEOPLE - TO RECORD MY OWN SONGS BUT I BECAME ADDICTED TO RECORDING ITSELF AND AFTER RECORDING HUNDREDS OF MUSICIANS FROM ATLANTA/ATHENS/RALEIGH I HAVE COME FULL CIRCLE.

E-mail: Click To Send E-mail

Main purpose: Commercial work
Secondary purpose: Demos

Recording knowledge level: High
MIDI knowledge level: Average

Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100

Future plans: REBEKAH CRISP SOLO CD ( JULY 98) AFTER SEVEN YEARS IN THE BUSINESS MY OWN CD STUDIO IS PRIMARILY IN SUPPORT OF FI-HI RECORDS WHICH SHOULD BE IN LAUNCH MODE THIS FALL (98) WE ARE LOOKING FOR SELF-RISING ARTIST(S) WHO ARE NOT AWARE OF THEIR ORIGINALITY. e-mail at FIHIREC@aol.com

Guitars: GIBSON ES-335 1967 ORANGE LABEL INTO MESA BOOGIE .50 CAL./ 12" SPKR YAMAHAHAHA 12 STRING ACOUSTIK SIX STRING MY EX GAVE ME BEFORE SHE LEFT ME OVER RECORDING STUDIO ADDICTION
Keyboards: BYO
Sound modules: BYO
Percussion: MY PRIZED NEUMANNS WHENEVER THEY GET WITHIN 3 FEET OF A DRUMMER

Effects: (2)LEXICON LXP-15 BOTH CONTROLLED BY LEXICON MRC RC / DIGITECH TSR-24 STEREO FX DIGITECH RDS 8000 DDL/ TECH 21 SANS AMP RACK/DBX QUAD GATE/DBX 1531X GRAPHIC EQ (2)ALESIS 3630 COMP/GATES / DOD R-825 COMP/LIMTR / ALESIS GATE/ ALESIS LIMITER
Microphones: MICROTECH GEFFELL UM-92S TUBE MIC / (2) NEUMANN TLM 193 / (2) AKG C1000S MICS AKG 414 C-BULS / (2)AKG D-112 LO FREQ /AKG D-3400 / SHURE SM57 / SHURE SM58 (2)ELECTRO-VOICE 408 N/D / (2) ELECTRO-VOICE 757
Mixer: MACKIE 32 CHANNEL 8 BUS CONSOLE WIRED FOR BALANCED +4dBu / MACKIE 1202 SUB-MIXER
Tape decks: TASCAM MS-16 1" sixteen track 15 i.p.s. / 24 TRACK ADAT /PANASONIC SV-3700 DAT KABA REAL TIME CASSETTE SYSTEM /10 TAPES PER PASS/ MASTER DECK IS 4-TRACK (5) SLAVE DECKS
Hard disc recorders: N/A AT THIS REGISTRATION N/A
Monitoring system: BIG MONITORS TANNOY DMT-10 MID FIELDS /little monitors JBL 4206 / A/R SELF - POWERED FOR THE EL CHEAPO PLAYBACK / ADCOM GFA 555 II POWER AMP / NILES SPKR SELECTOR / 8 CHANNELS STEWART HDA-4 HEADPHONE AMP / ASSORTED SONY /YAMAHA HDPNS

Computers: MAC QUADRA 650 / SYS 8 40 MB
Other equipment: DEMETER QUAD TUBE DIRECT/ (2) DEMETER VTMP-2A TUBE MIC PRE-AMPS 4 CHANNELS MOST IMPORTANT OF ALL..THE ACOUSTICS /ENTIRE MIX AREA TUNED WITH ASC TUBE TRAPS PANELS AND SONEX IN A NON-PARALLEL GEOMETRY ( WALLS AND CEILING TRAPPED) BOTH SIDES OF MIX POSITION SYMMETRICAL

Comments: I STARTED RECORDING MUSIC LIKE ALOT OF PEOPLE - TO RECORD MY OWN SONGS BUT I BECAME ADDICTED TO RECORDING ITSELF AND AFTER RECORDING HUNDREDS OF MUSICIANS FROM ATLANTA/ATHENS/RALEIGH I HAVE COME FULL CIRCLE. RECORDING STUDIOS TAKE A BIG CHUNK OUT OF YOUR SOUL BUT THE MUSIC WILL ALWAYS BE THERE FOR YOU.

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