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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Joe Burba's Studio Details
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I started playing guitar at twenty, "sitting in" around Chicago's blues clubs.
E-mail: Click To Send E-mail
Web site: www.glassguitar.com/
Main purpose: Commercial work
Secondary purpose: Composition
Recording knowledge level: Above average
MIDI knowledge level: Above average
Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100
Future plans: Day Job and Stability
Guitars: Epiphone Sheraton, Fender Strat
Keyboards: Midiman49 MIDI controller
Sound modules: POD 2.2,Nanosynth,nanobass,DR-660,the guts of a Roland S-50
Percussion: DR-660, Nanosynth
Effects: 3 multi fx rack units,tube pramp,BBE sonic maximizer,Alesis 230 E.Q.,Yamaha Gate/Limiter/Compressor,POD 2.0 as well as various pedals
Microphones: 2 shure,1 Oktava MK319
Mixer: Yamaha 16 track
Tape decks: Tascam 4 track reel to reel,Technique cassette
Hard disc recorders: HD2: 24 tracks
Monitoring system: Sansui Power amp
KRK Reference Monitors
2 AKG K240 headphones
Computers: Two self built each with removable hard drive bays, networked
Music software: Powertracks, Nuendo, Wavelab, Cakewalk, etc.
Other equipment: Video editing, Pinnacle board, Adobe Premier Software
Comments: I started playing guitar at twenty, "sitting in" around Chicago's blues clubs. Eventually I picked up work playing, recording, and touring the US & Canada with various blues ensembles.I've had the oppurtunity to gig at Buddy Guy's Legends, Kingston Mines, Rosa's Blues lounge, the Yale in Vancouver B.C., B.B Kings in Memphis to name a few, as well as some Music Fests around the U.S.
If you are Joe Burba and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
