HSR Index
Join the Registry!
Site Search
more information
The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
hide additional information
Click here to create a
link to this page
|
|
|
|
|
|
| Jeff Feit's Studio Details
|
I am passionate about recording and mixing.
E-mail: Click To Send E-mail
Web site: www.torchlightstudio.com
Main purpose: Recording
Secondary purpose: Demos
Recording knowledge level: High
MIDI knowledge level: Average
Typically work (with): Alone
Completed songs/demos/jingles: More than 100
Future plans: I have relocated my studio to my home in Beallsville, MD. The studio layout consists a fully equipped control room, and a separate tracking room. I plan on increasing my client base now that my studio has expanded and improved. I am now a certified recording engineer and also hold a Digidesign Operator Certification.
Guitars: Martin D-76 Acoustic 6-String, Taylor 410CE Acoustic 6-String, Guild F-512 Acoustic 12-String, Fender Stratocaster "American Series", Ibanez 4-String Bass
Keyboards: Roland RS-70 Keyboard/Synth/Sequencer
Sound modules: Only what`s included in the RS-70 Keyboard
Percussion: Roland RS-70 Keyboard w/drum module/sequencing, Boss DR-770, LP Bongos, LP Congas
Effects: Lexicon MPX-550 Reverb/Delay/Chorus/Flange/etc., T.C. Helicon Voice One Pitch Correction/Harmonizer/Voice Modeler, Digidesign ProTools LE Plug-Ins, Roland VS-1680 Onboard Effects Processors (2 dual processors)
Microphones: (1) Cascade M-56 9-Pattern Tube Condenser, (2) Nady 1050 9-Pattern Tube Condensers, (1) BlueMic Bluebird Cardiod Condenser, (2) Marshall Electronics V-67G Cardiod Pattern Condensers, (2) Shure SM-81 Cardiod Pattern Instrument Condensers, (2) AKG C451B Cardiod Instrument Condensers, (1) Audio Technica 4033 Cardiod Condenser, (1) Cascade M-20 Cardiod Condenser, (2) Sennheiser 421 Cardiod Dynamic, (1) EV RE-20 Cardiod Dynamic, (1) Sennheiser e602 Cardiod Dynamic, (2) Shure SM-57 Cardiod Dynamics, (1) Shure Beta 58 Cardiod Dynamic; (1) Set of 4 Audix Dynamic Drum Mics
Mixer: Digidesign Pro Tools LE (48-track DAW) with a Digi 002R Interface, Roland VS-1680 (16-Track DAW)
Tape decks: N/A
Hard disc recorders: (1) iMac 160 GB IDE, (1) Glyph Firewire 160 GB Drive, (1) Roland VS-1680 2GB IDE, (2) Glyph SCSI Drives (18GB each)
Monitoring system: (1 pr.) Dynaudio BM6A Actives, (1 pr.) Tannoy Reveal Passives, (1) Alesis RA-100 Monitor Amplifier, (1) Presonus Central Station, Numerous Audio Technica and Sony Headphones, Rolls RA-62 Headphone Amplifier
Computers: IMac, 160 GB IDE, 2 GB RAM, 1.83 GHz Processor
Music software: N/A
Other equipment: Preamplifiers: Avalon AD-2022 (2-Channel FET), Universal Audio 2-610 (2-Channel Tube), DBX 586 (2-Channel Tube), Focusrite Twintrak Pro (2-Channel FET), ART Tube Channel (Single Channel Tube), RME Octamic-D (8-Channel FET)
Other Equipment: Numark CD-12 CD Player, Korg DTR-2000 Tuner; (2) DBX 1231 Graphic EQs, (3) Furman Power Conditioners, (1) UPS System; (1) QPS CD Burner; DBX and Hosa Patchbays
Comments: I am passionate about recording and mixing. I especially love to work in the following musical genres: folk, country, light rock, classic rock, jazz, bluegrass, blues, and classical. I do not record/mix hip hop or rap, partly because I don't have any experience in those genres. I also do not record/mix anything that I consider to be offensive. My studio is ideal for you if you are a singer/songwriter, either performing as a solo or in a group, and you are looking to create an album or just a demo. If this is you, and you live in the Washington, D.C metro area, please contact me. I also have experience in recording voice-overs for commercial advertising.
If you are Jeff Feit and you want to update your listing, click here.
|
|
Vol. 17, No. 2: Feb.-Mar. 2012
