HSR Index
Join the Registry!
Site Search
more information
The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
hide additional information
Click here to create a
link to this page
|
|
|
|
|
|
| Ian Thompson-Bell's Studio Details
|
I am primarily an engineer not a musician although a do play a bit of guitar and keyboards.
E-mail: Click To Send E-mail
Web site: www.ianbell.ukfsn.org/ruffrecords/
Main purpose: Recording
Secondary purpose: Demos
Recording knowledge level: High
MIDI knowledge level: Just learning
Typically work (with): Other musicians
Completed songs/demos/jingles: More than 100
Future plans: Just moved into a three story house where the top floor houses the studio and a separate workshop.
Guitars: Yamaha, Encore and Bell Music
Keyboards: Yamaha DJX
Sound modules: Yamaha Motif Rack ES
Percussion: Arbiter flats plus various tambourines, maracas.
Effects: Eventide Eclipse & ARTFX1 plus built in FX in AKAI DPS24, Line 6 Pod
Microphones: Rode NT1A AKG D190, ATM10, AT4040
Mixer: Built into AKADPS24
Tape decks: Revox A77 (2), Fostex R8, Ferrograph Series 6
Hard disc recorders: AKAI DPS24, AKAI DPS16
Monitoring system: Kenwood and Cambridge Audio amps, Tannoy Monitor Golds and Mission speakers, various headphones
Computers: Samsung R700, Zoostorm 64 bit tower
Music software: None
Other equipment: Various mic stands, 3 DI boxes, phones distribution box
Comments: I am primarily an engineer not a musician although a do play a bit of guitar and keyboards. For the last ten years I have worked principally with Bob Wright producing nine albums with a tenth currently in production, see www.thesongfactory.co.uk
If you are Ian Thompson-Bell and you want to update your listing, click here.
|
|
Vol. 16, No. 6: Apr.-May 2012
