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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Gus Montalvo's Studio Details
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I am very excited to be working on what was once a dream.
E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Practice/Rehearsal
Recording knowledge level: Just learning
MIDI knowledge level: Average
Typically work (with): Other musicians
Future plans: I have built my studio to help talented musicians with limited income produce demos. There are very limited resources available to those people and I want to help.
Remember that I am only listing what I have so far with virtualy weekly deliveries from purchased items.
Guitars: (2) Fender American Standard Carvin, Fender Roland Ready, Taylor acoustic, Roland VG-88, Digitech RP-1000, various Ibanez pedals and a Boss GT-5.
Keyboards: Yamaha Motif ES8 and Kurzweil K2500.
Sound modules: Roland JV-1080, Yamaha EX5r, Yamaha Motif Rack, Roland S-770, Roland MKS-20, Korg X5Dr, Kurzweil Micropiano, Roland D-550.
Percussion: Pearl Maple custom.
Effects: All software effects.
Microphones: Shure Beta 87, Beta 58, SM57, Senhisers, etc.
Mixer: Mackie 32-8, 24E and 1402VLZ.
Tape decks: Tascam 112 MKII
Hard disc recorders: None
Monitoring system: Yamaha HS-80
Computers: Custom made with dual 3800 AMD processors, 4 gigs of ram, dual internal 250 meg HD for storage and 1-180 meg HD for programs. Dual 19 inch acer flat panel displays.
Music software: Cubase 4
Comments: I am very excited to be working on what was once a dream. Although I have done very little to date, things are falling into place faster than I could ever imagine, and I know that my investment will help launch someone's career.
If you are Gus Montalvo and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
