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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Gregory Spinney's Studio Details
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Dextrotronix Sound Lab- this studio is my own private sound lab, from which i am able to express myself as comfortably as I ever could.
E-mail: Click To Send E-mail
Web site: www.audioengineer.com/spinoza
Main purpose: Other
Secondary purpose: Other
Recording knowledge level: Above average
MIDI knowledge level: High
Typically work (with): Alone
Completed songs/demos/jingles: 41-60
Future plans: To continue composing, engineering,producing and mastering mine and anyone interested peoples music until the day i die. At the present time I am in between web sites, but I do have a nice sample of streaming audio on the CBC sponsored newmusic canada site. Also feel free to listen to a show of my own composition that aired on CKMS FM in Kitchener/Waterloo Ontario Canada in April 2001, and that is found at www.jelly.ca and it is accessed right from the home part of the main page.
Guitars: 1970 Yamaki Deluxe #112 Acoustic 6string folk (with a Dean Markley Promag Grand humbucking pick-up)
1963 Gibson SG
Oscar Schmidt Spirit Electric Bass
Keyboards: Roland EP-5 digital piano,
M-audio oxygen8 midi keyboard controller
Roland Jx-3p polyphonic Analogue Synthesizer
Sound modules: Yamaha FB-01 multi timbral FM tone generator.
Yamaha Tx81z Digital FM tone synthesizer
, Korg EA-1 analog modelling synth,
Roland PMA-5 midi sound module&sequencer/arranger
Roland D2 sequencer synthesizer module
Roland U-110 PCM Sound Module
E-MU esi 4000 Turbo Digital Sampler (128MB Ram with 100MB Zip drive &ten zip disks)
Percussion: Roland TR-505 rhythm composer,
yamaha RX21L rhythm programmer,
Casio RZ-1 digital sampling rhythm composer
Effects: Korg Kaoss KP-2 dynamic FX controller,
Alto aVERB 24/32 bit digital multi-FX module
Zoom 505 guitar multiFX
Zoom 503 Amp simultator
Zoom 506II bass FX
ElectroHarmonix small stone phase shifter
Yamaha GC-100 compressor/5-band equalizer
DOD FX53 classic Tube pedal
Phantom Wah pedal
Microphones: Shure sm-57 (legendary) ; > )
Shure sm-58
ElectroVoice RE-18 dynamic super cardioid
Apex 460 -multi pattern Tube condenser microphone
Mixer: Peavey XR1200c,
Behringer Eurorack MX802a
Behringer Eurorack UB 2222 FX pro
Tape decks: Akai 1730d-ss(1/4" 4track reel2reel)
Sony TC-wr465 double cassette deck
Sony MZ-R500 mini disc recorder
Sony MDS JE510 studio mini disc recorder/sample rate converter
Tascam MF-P01 (4 track cassette recorder)
Monitoring system: Sherwood CTA-4 Integrated Amplifier
Sony+Jensen speaker system
Yorkville YSM1i passive monitor speakers
Audio Technica headphones
Jensen Digital Auddio Headphones
Yorkville BassMaster 50 (bass amplifier)
Computers: PowerMacintosh 8100/80 AV
Macintosh Performa 5200CD PowerPC(ADSL internet connection)
Macintosh IIsi(used as an oscilloscope, dont want it to feel left out of the fun)
Macintosh IIci(Desktop Publishing)
Music software: Sound Sculptor II multi track recorder
ReBirth2.0
Emagic MicroLogic 2.0
WaveWindow oscillascope
SonicWorx
FFT AnalyZer
Cubasis
Other equipment: Focusrite Platinum TwinTrak Pro (two channel stereo instrument/mic/line in channel strip with compression and notch EQ and monitoring)
Alto aMICtube -stereo tube preAmp
ART tube MP mic Tube preAmp
Behringer UltraMatch SRC 2000 Sample rate converter
RANE PE-15 paraMetric Equaliser
DBX 163X compressor/limiter
DBX 463X noise gate
Alto aCOMP 24/32 bit digital compression module(x2)
Comments: Dextrotronix Sound Lab- this studio is my own private sound lab, from which i am able to express myself as comfortably as I ever could. I am extremely proficient with each and every piece of gear I own. I am available to produce tracks for and with any people that i meet who are after a good quality recording either digital or analogue, and especially recordings where both domains are used, a sort of "DigiLogue Studio"
If you are Gregory Spinney and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
