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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Gary Trithart's Studio Details
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I use my studio for composing and recording original songs, and occasional demos for other people.
E-mail: Click To Send E-mail
Web site: members.home.net/trithart
Main purpose: Recording
Secondary purpose: Composition
Recording knowledge level: Above average
MIDI knowledge level: Average
Typically work (with): Alone
Completed songs/demos/jingles: More than 100
Future plans: Put together an album to sell online
Guitars: Randy Rhodes Charvel Jackson, Squire Strat, accoustics, Hondo and Phil basses.
Keyboards: Juno 106, Juno 2, Roland S-10
Sound modules: Roland SC-88, Yamaha FBO-1, Virtual synths like Reality Synth.
Percussion: Roland SC-88 module, Roland DM-5
Effects: Midiverb I and II, Fostex 3050 Compressor, Alesis EQ, Roland Delay.
Microphones: Rode NT-1, Sure SM-57
Mixer: Behringer Eurodesk MXR 2001
Tape decks: Sansui MR-6 (6-track cassette), sony DAT, Otari MXR 5050 (2 trk)
Hard disc recorders: Roland VS-840
Monitoring system: Sony amp, KLH speakers, Senheiser headphones.
Computers: Custom built Pentium 166 MMX, 15 Gig HD, 32 meg RAM, Yamaha Sound Card.
Music software: Cakewalk 3 & 9, Cool Edit Pro, T-Racks 24 Mastering Software, AudioActive Production Studio, Reality Synth, Retro Synth.
Other equipment: Peavey guitar amps, Marshall slant 4x12, boss pedal effects and Zoom 505 guitar effect.
Comments: I use my studio for composing and recording original songs, and occasional demos for other people. I've been recording for 20 years, and have a couple of hundred completed songs. Nothing has ever been published, though I plan to put together an album to sell/distribute online. I'm working currently on a second album of Beatles remakes.
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