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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Dwight Howie's Studio Details
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Basic studio in basement I have produced some good quality recordings but as the equipment mix improves the quality gets better the Behringer 602 mixer has improved transparency of recordings alot.
E-mail: Click To Send E-mail
Main purpose: Composition
Secondary purpose: Demos
Recording knowledge level: Average
MIDI knowledge level: None
Typically work (with): Other musicians
Completed songs/demos/jingles: 5-20
Future plans: Future plans include production of orignal solo and colaborative work with highest quality possible of production of sound quality and material. A small amount of appreciation would be nice too.
Guitars: Ibanez Blaser bass 1970`s vintage, Ibanez bass newer,Alverez accoustic 6 string, Gibson Les Paul Nock off, Jackson Electric, Lark accoustic 6 string
Keyboards: Basic Sony electric keyboard
Percussion: Drum Kit, Boss Dr. Rythm drum machine, Bajmbe, Bohdran,
Effects: Zoom 24 effects pedal Guitar, Digitec 99 voice effects machine, Whammy pedal
Microphones: Peavy, and middle of raod Radio Shack (will get better ones soon) Rode NT 3
Mixer: Behringer #602A
Tape decks: Tascam 425 MKII
Monitoring system: Carver magnetic field amp(140watts rms per channel) JBL studio monitors, Basic middle of road headphones.
Other equipment: Koss cd burner, Technics 7 band equalizer
Comments: Basic studio in basement I have produced some good quality recordings but as the equipment mix improves the quality gets better the Behringer 602 mixer has improved transparency of recordings alot. The room is a shared space for other activities so compromises have been made in sonic response of room but as I learn the compromises can be overcome
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Vol. 16, No. 6: Apr.-May 2012
