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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Dean Ulmer's Studio Details
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LETS GO TO WORK!
E-mail: Click To Send E-mail
Main purpose: Recording
Secondary purpose: Demos
Recording knowledge level: Above average
MIDI knowledge level: Just learning
Typically work (with): Other musicians
Completed songs/demos/jingles: 21-40
Future plans: To keep doing what I do best. Writing, Producing, Playing, Growing & Learning
Guitars: Fender Am. Strat, Fender Strat. with Roland GA-30/GR-30 synth hook-up , Reverse 68 Strat with Abigail Yabarra 1969 pick-ups, Fender Telecaster. Gibson Standard Les Paul, Gibson 1957 Les Paul Gold Top Re-issue, Gibson 1961 Dot 335 Re-issue, Danelecto 12 String, Fender P-Bass, Taylor Parlor, Alverez Concert Master Acostic, Ginianni 1950 Classical. Custom Re-modeled Alverez Roadster that carries my name, Fender Resonator, Rickenbacker 360
Percussion: A full set of 1975 Slingerlands, Alesis SR16 Drum Machine, Yamaha Drum Pads
Effects: Lexicon MPX 100, Aphex 104 Ariel Exciter with Big Bottom.
MAckie CFX 20 Mixing board also loaded with effects
Microphones: Shure SM58, Roland DR20 & Octiva Condenser
Mixer: Mackie CFX 20
Hard disc recorders: Alesis ML9600 Master Link (2.0)& Roland VS-1680 (2.01)
Monitoring system: Pioneer & Korg Head Phones, (4 Sets) Event 20/20 P Studio Monitors
Computers: HP 7275z with wayyyy too much memory
Music software: Logic & Acid
Other equipment: Behringer Magician 1950 T Vacuum tube 8 Ch interface, Several Furman power supplies. Behringer Headphone Amp.
And a seemingly endless amount of cables of all sizes and shapes. Guitar Stands and etc.
Comments: LETS GO TO WORK!
If you are Dean Ulmer and you want to update your listing, click here.
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Vol. 17, No. 2: Feb.-Mar. 2012
