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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| Colin Douglas's Studio Details
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E-mail: Click To Send E-mail
Main purpose: Demos
Secondary purpose: Jamming/Fun
Recording knowledge level: Average
MIDI knowledge level: Average
Typically work (with): Alone
Completed songs/demos/jingles: 5-20
Future plans: Complete backlog of part-songs/ideas lying around for the last five years into basic demo form.
Choose best and finish as proper quality demos.
Guitars: Almeria Spanish Guitar,
Fender Mexican Stratocaster,
Washburn RS-10V (PRS Copy),
Yamaha FG 410 Acoustic (with Dean Markley Acoustic Pickup), Vintage 5 string Bass Guitar.
Keyboards: Kawai K1.
Sound modules: Kawai K4r,
Yamaha TG-100 Sound Module.
Percussion: Alesis HR-16 Drum Machine.
Effects: Alesis 3630 Stereo Compressor
Art FXR 2 channel preset effects processor
Boss Pro CL-50 Mono Compressor/Limiter,
Boss Pro GE-21 Mono Graphic Equalizer,
Joe Meek VC3 Mono Vocal Compresser/Enhancer,
Korg AX100G Multi FX Guitar Pedal,
Roland GS-6 Stereo Digital Guitar System.
Microphones: Beyerdynamic TGX 180,
Tandy "Shure SM-57" copy.
Mixer: Samson MPL-1502 15 channel stereo mixer.
Tape decks: Sony Dolby S Stereo Cassette Deck,
Aiwa Portable Mini-Disc Recorder.
Monitoring system: Sherwood RX-1010 Receiver Amp,
JBL Control 1G.
Computers: Full Tower PC,
Athlon 500Mhz Processor,
256 Mb Ram,
2x SCSI IBM 9Gb Hard Drives,
Mitsumi CD Writer,
Creative DVD,
Yamaha DSP Factory Soundcard,
Yamaha AX44 4in 4out breakout box,
32 Mb Graphics Card,
19" Monitor.
Music software: Cakewalk Pro Audio V9.3.
Other equipment: Midiman Bi-Port 2x4s PC/Mac Midi Interface,
Metzler Upright Acoustic Piano.
If you are Colin Douglas and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
