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The purpose of the Guitar Nine Records' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
Far from being the solitary musician locked in a spare room with a bunch of expensive toys, you will finally be able to hook up with others who have many of the same dreams and aspirations as you do.
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| BJ Devins's Studio Details
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Contact me on my web site www.
E-mail: Click To Send E-mail
Web site: bdevins.home.mchsi.com
Main purpose: Recording
Secondary purpose: Practice/Rehearsal
Recording knowledge level: Above average
MIDI knowledge level: Just learning
Typically work (with): Alone
Completed songs/demos/jingles: 41-60
Future plans: I have put together 1 album and currently writing songs for a 2nd. I also have band project named "Solaxe". An albums is currently in the works called "Show Me Yours and I`ll Show You Mine". Albums are "No Time To Waste" & "You Axed For It, You Got It". Recently I`ve been working on another album of songs with vocals. This is a work in process. I have 3 songs completed with additional ones in the works. I hope to have it completed by the end of the year. I`ve changed to computer recording using an Apple G5. So when I`m not writing songs I`m learning how to use this for recording. I am also recording a demo record for my son`s band "The Poondevils".
Guitars: PRS Swamp Ash, Fernandes, Ibanez JS 100, 1984 Gibson Les Paul Custom, 2 Kramer Pacer`s(1 single P/U and the other has single,single,humbucker, Ovation acoustic/electric
Keyboards: None
Sound modules: None
Percussion: Boss Dr. Rythym
Effects: Voiceworks
Microphones: Rode, Shure
Mixer: Yamaha MG16
Tape decks: Yamaha MD8
Monitoring system: Crown CS1010`s, Crown 402`s, EV speakers and subs. Also aquired some Peavey SP2`s
Computers: Apple G5
Music software: Cubase SX3
Other equipment: Marshall & Peavey amps
Comments: Contact me on my web site www.audiostreet.net/berniedevins
If you are BJ Devins and you want to update your listing, click here.
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Vol. 16, No. 6: Apr.-May 2012
