|
|
Solo engineered by Sean Szafran at Albacore Studio in Cave Creek, AZ. Recorded and mixed by Michael Wagner for Double Trouble Productions. Recorded through a Line6 POD, Fulltone stomp boxes and a Joe Meek VC1 compressor.
|
|
|
Solo engineered by Sean Szafran at Albacore Studio in Cave Creek, AZ. Mixed by Matt Thorne. My best Uli Roth imitation.
|
|
|
Recorded at Sound City Studios by Steve Fontano. I used a Marshall and an ESP. This was a fun session. I was working next door at Good Night LA Studios on the second Lynch Mob record and Mike Varney asked me to come over and lay something down. Lots of great players all hanging out and jamming that night; Ritchie Kotzen, Billy Sheehan, Paul Gilbert, Tony MacAlpine, Zack Wylde. Even Kevin Dubrow was there.
|
|
|
Guitars recorded by Mike Rehmer at "My Friggin Bedroom" studio in Phoenix, AZ.
|
|
|
Done in about 15 minutes at Phase 4 Studios with the staff engineer. I used an old Marshall, and an ESP guitar with a Boss DS-1.
|
|
|
Recorded by Mike Rehmer at Mike`s garage with his out of control, little brats running all around the house screaming and making huge messes while trying to record a 20 second guitar solo. I was sick as a dog the day I recorded this. I went back for a second try a week later but the first attempt ended up being the keeper. I used a POD with a bunch of pedals and the ESP Tiger guitar.
|
|
|
Recorded at Vintage Recorders in Phoenix, AZ by Billy Moss. Originally found on the "Rubaiyat" Elektra release. Oni Logan on vox along with the rest of the original Mobsters.
|
|
|
Recorded at some studio/musician enslavement camp called Prairie Sun owned by teh infamously sadistic Mike Varney, who feeds his musicians nothing but boxes of Pepperidge Farm cookies and all the fruit they can pick. I ended up kicking him out of the studio for the session. (I didn`t know he was the producer!) Engineered by Steve Fontano. Played on this one as a favor to my manager. I ended up taking a big fat guitar lesson from Mr. MacAlpine. I played through Tony`s rig, a Peavey amp and a Rockman.
|
|
|
Recorded at some studio/musician enslavement camp called Prairie Sun owned by teh infamously sadistic Mike Varney, who feeds his musicians nothing but boxes of Pepperidge Farm cookies and all the fruit they can pick. I ended up kicking him out of the studio for the session. (I didn`t know he was the producer!) Engineered by Steve Fontano. Played on this one as a favor to my manager. I ended up taking a big fat guitar lesson from Mr. MacAlpine. I played through Tony`s rig, a Peavey amp and a Rockman.
|
|
|
Solo engineered by Sean Szafran at Albacore Studio. Years ago, I showed Randy the tapping segment that he ended up using on the Ozzy record in a backstage dressing room. Our band, The Boys were sharing the bill with Quiet Riot at a club in Southern California.
|
|
|
Engineered by Mike Rehmer and recorded with a Line6 POD into a DA-88. The solo sections are ridiculously long on this track. You can hear me anticipating the end of the solo sections and when they don`t materialize I have to sort of catch up and get back on board.
|
|
|
An unused, reworked Lynch Mob track recorded during an all nighter at Phase 4 Studios in Phoenix, AZ and engineered by Kevin Becka.
|
|
|
Recorded this at Albacore Studio, which was my old place in Cave Creek, AZ. This was done at the same time as the Birdland track for Guitar Battle. I didn`t include that track because there were 3 other gutiarists on that one and they were all better than me.
|
|
|
Engineered by Steve Landos at Albacore Studios. This song was originally written for the WWF but was never used. The band was the last incarnation of the Lynch Mod with Kirk Harper on Vox, Gabe Rosales on bass and "Kooky" Clancy McArthy on drums. What I remember most about this session was Clancy and Gabe barbecuing salmon at 6 am and kung fu fighting, drunk on a trampoline wearing chefs hats and aprons while entertaining some insane wench they had picked up at the local 7/11.
|
|
|
Done at the Powerstation in NYC using a Peavey Classic and an ESP stereo strat. My roadie had to show me how to play this one.
|
|
|
Missing "B" side off the Japanese version of the 2nd Lynch Mob record. We ditched this track mainly because of the lameness factor of the title.
|
|
|
Another missing "B" side off the Japanese version of the 2nd Lynch Mob record. It got tossed for the same reason as "Love In Your Eyes".
|
CD Information
