By: Michael Knight
t often surprises me how many guitarists site Michael Schenker as an influence or inspiration (myself included). Yet, while names like Van Halen are widely known, Schenker seems to be only well known amongst musicians. This new album feels a little more laid-back, 70's style, compared to his days with UFO, the Scorpions, and his umpteen solo albums- but, no less enjoyable. The consummate riff-master, shades of "Phenomenon" (UFO) are present in songs such as "Fat City" and the opening track "Rude Awakening." His unique choice of notes in his trademark lead solos are ever present on this CD. While this CD stands up well next to some of his earlier solo releases, there seems to be something missing. If I were to tell someone to listen for Schenkers influence in the world of rock guitar, this would not be the CD I'd ask them to listen to. The reason for this is, most of the guitar on this CD seem to be cut short. Who can forget the extended blazing lead solos in songs like "Lights Out" (UFO), "Cry for the Nations" (MSG), and "Save Yourself" (McCauley-Schenker). I kept waiting for him to really let go and it never happens. Hey, the songs are well-crafted, kudos for that but the truth is if they would've extended the outro for "Fat City" for another five minutes and just let Schenker wail, I would've been much happier with this album.
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