nder the banner of 'Mambo Sons' Tom Guerra and Scott Lawson have issued three
fabulous CDs. Firstly, there was the self titled debut 'Mambo Sons' (1999), a good
rock 'n' roll album laying down the gauntlet of proper music, none of those tape
loops for these boys. By the time of the second album 'Play Some Rock & Roll' the
boys had really hit their stride, and for their pains 'Play Some Rock & Roll' was
voted best independent release of the year by the prestigious NY Rock Magazine. (I
can tell you without a doubt it will definitely be Mott the Dog's album of the year
this year.)
Now in 2005 we are given 'Racket of Three' which sees the boys now all out at a full
speed musical gallop. This album simply wipes the floor with any of its
contemporaries over the last few years.
Since the last album, the line up of 'Mambo Sons' has changed a little. Mike Hayden
has slipped off the drum stool to make way for the very impressive Joe (The Cat)
Lemieux, whilst with the departure of Jeff Keithline on bass, Scott Lawson has
simply strapped on the bass himself and taken over the four string, allowing the
Mambo's a very timeless sound, giving you the impression that Scott may have admired
the odd bass line from Ronnie Lane of the 'Faces' or Andy Fraser of 'Free'. Which
now gives you 'The Racket Of Three'.
As soon as opening song 'Play Some Rock & Roll (She's Comin' Over)' starts up with
some bristling guitar riffs from Tom Guerra, your attention is grabbed, your foot
starts to tap, and most embarrassingly of all you start to try and sing-a-long to
the words on the first time you hear it. By the time Scott Lawson sings at exactly
one minute forty eight seconds into the first song, ''Yeah; And I just gotta say
WAAAAAAHHH" before Tom Guerra comes in with the first of his guitar solo's that will
peel the wallpaper from your room, you just know that you are listening to something
very special.
This is not music for little boys and girls, this is the stuff of men and their
ladies; here is music that Keith Richards and Johnny Depp would put on if they were
having a party.
After the opening blast of 'Play Some Rock & Roll (She's Comin' Over)' you get
'Valentine' which starts off with a little acoustic guitar introduction, but don't
be fooled by this and the title - the band soon swaggers into the chorus. There are
no thoughts of taking their audience to school from the Mambo's, they just sing
songs from their big old Connecticut hearts. There is nothing wrong with knowing
what a song is about by just looking at the title, that's allowed these boys to let
the music do the talking for them. Each song on the album has it's own identity,
some with a lighter feel, some as heavy as an anvil, the one thing they have in
common is that the Mambo groove flows through it's veins.
'Mr Rebound' is quite delightful, whilst 'Sidewinder Walk' is a great song in itself
which has a false ending which then allows the guitars to really kick up their
heels. 'You Broke My Mind' shows off that oft forgotten musical skill of smashing
bottles, and includes the immortal line "Now I've got whisky breathe, but you've got
half a mind."
You could put this CD on from start to finish at any party, and the only thing you
would have to do at the end is push play again. It's that good.
As well as holding down the bass playing responsibilities, Scott Lawson gives a
vocal tour de force throughout the entire collection, showing off a wide range of
throats, mostly very buoyant, with a nuance of audacity, getting down and dirty with
the guitar work of his partner on 'Been Out Of Touch', but often as well very tongue
in cheek. Then this is a rock 'n' roll album, and it is supposed to be fun.
Joe ("The Cat") Lemieux was an excellent choice of drummer: he is very unselfish,
leaving each song with plenty of space, playing in the same way as Charlie Watts
does for the Rolling Stones. Tom Guerra is one of America's most respected
guitarists, but for 'Racket of Three' he really pulls out all of the stops, playing
like an axe hero when required, although by no means dominating any song, adding
some great slide guitar to 'Be On Time'. But his greatest asset to the Mambo's is
his ability to switch styles to suit each individual song. Of course his whistle
playing on 'Rummy Hop' should not be overlooked.
Mambo Sons are definitely a guitar orientated rock 'n' roll band, but when they do
call for a little tinkling of the ivories, only the best will do, and a special bow
should taken by Andre Balas whose barrel house piano on 'Play Some Rock & Roll
(She's Comin' Over)' is nothing short of superb, whilst elsewhere Matt Zeiner does
an excellent job fitting in beautifully with the Mambo's.
It is impossible to listen to The Mambo Sons without a great big cheese eating grin
spreading across your face, which is what rock 'n' roll is supposed to be all about.
They maybe a racket of three, but a very fine racket it is to.
This is all about rockin' guitar, bass, drums, throat, and songs; who can possibly
want more than that? For more information on the wonderful Mambo's please look up
their website at www.mambosons.com. This is music to enjoy.
The thing I don't understand is - why is their second album called 'Play Some Rock &
Roll' but this record has a song on it with that same title? Odd really...