James Byrd leads the way with his neo-classically influenced style that certainly reminds of Malmsteen, but Byrd takes the entire musical sound into a slightly different direction by orchestrating most of the music, and relying less on the speedy, double bass-led styles that put most into the Malmsteen category and that might otherwise doom a band. Byrd is quite the guitar master, easily holding his own and being able to make a loud statement with his guitar-playing abilities, but instead of making it a show, he adds in a great vocalist who is capable of layering tons of harmonies to make this sound like a huge interpretation of some Yes / Queen / vocal melodies. Without the harmonies, Michael James Flatters is quite the pleasant / powerful / melodic singer who blasts effortlessly through the maze of symphonies and guitar pyrotechnics and sounds completely comfortable surrounded by such epic sounds.

Brian Hutchinson fills out the rest of the band by playing everything else on the disc. Of note is the nice display of dramatic keyboards, which really make this disc shine sonically. Throw in a superb production and you have basically a great, symphonic, epic, neo-classically influenced piece of music that is quite a surprise given the many attempts to make something different of this genre. Byrd and Hutchinson are also responsible for the great production, which tells me that they have been around for quite some time to be able to write, play and produce such a bombastic piece. Overall, this is a nicely performed piece of symphonic metal that should please most fans of the style that want something more than just the casual passing attempt at neo-classical metal.