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A very complex history for this track which is quite different than my typical style, in fact it involves also pop rock and the classic American shred that inspires me much. It also shows the contrast between flamenco melodies and the typical Angelo/Vai/Satriani way of playing.
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What I like most in the title track is its progression and crescendo. Technique is always used to create the right feeling in a mix of sweet loneliness and soft gloom. I adopted many techniques, from the cruel shred. with hiroshi and harmonic scales, to the chromatic scales played by the use of tapping technique in the solos.
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This is a very particular song, although it is very simple and essentual in its structure, it is able to transmit to me the same feelings and emotions I felt the day I wrote it. In this track the country genre, ala Melissa Etheridge, develops itself fading into a classic rock. The first release is a little different than this one, but it maintains the same moods I felt before.
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This track is meant to be an homage to the greatest shredders. It is a neoclassical speed song which may anticipate the subjects of my next album. It sounds like a techno baroque piece thanks to some space and cosmic tracks played with the guitar.
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This is the most articulated track, because of the frequent time changes and because it was made up for the 80% in tapping technique both for the rhythmic and melodic parts. The dark beat of toms, the ironish whisper of wind, the elastic sound of nature to show the sense of magnificence, this song grows stronger until the epilogue where the stately walk of melody opens the way to a mad improvisation.
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CD Information
