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Fusion For Miles
"A Bitchin' Brew: Guitar Tribute"
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Fusion For Miles: "A Bitchin' Brew: Guitar Tribute" brings together incredible and influential guitarists Eric Johnson, Bill Frisell, Part Marino, Warren Haynes, Jimmy Herring, Mike Stern, Bill Connors, Steve Kimmock, Bireli Lagrene and Jeff Richman, each paying an inspired guitar tribute to one of the top founding fathers of contemporary jazz and fusion - Miles Davis. These guitarists are all world renowned and collectively make a once in a lifetime musical statement. If that wasn't enough, additional musicians making up the band include Alphonso Johnson on bass, Vinnie Colaiuta on drums, Dave Liebman on sax and Larry Goldings on organ.
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06:28 |
Jimmy Herring "Black Satin"
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Instrumental
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05:05 |
Jeff Richman "Splatch"
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Instrumental
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06:23 |
Eric Johnson "Jean Pierre"
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Instrumental
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05:53 |
Mike Stern "So What"
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Instrumental
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05:41 |
Bill Frisell "Nefertiti"
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Instrumental
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06:09 |
Bill Connors "Eighty One"
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Instrumental
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05:25 |
Pat Martino "Serpent's Tooth"
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Instrumental
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06:10 |
Warren Haynes "It's About That Time"
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Instrumental
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06:29 |
Steve Kimmock "Back Seat Betty"
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Instrumental
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09:12 |
Bireli Lagrene "Spanish Key"
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Instrumental
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Eric Johnson |
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Guitar |
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Jimmy Herring |
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Guitar |
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Jeff Richman |
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Guitar, Production, Arrangements, Photography |
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Mike Stern |
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Guitar |
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Bill Frisell |
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Guitar |
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Bill Connors |
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Guitar |
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Pat Martino |
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Guitar |
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Warren Haynes |
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Guitar |
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Steve Kimmock |
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Guitar |
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Bireli Lagrene |
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Guitar |
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Vinnie Colaiuta |
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Drums |
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Alphonso Johnson |
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Bass |
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Larry Goldings |
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Keyboards |
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Dave Liebman |
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Sax |
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Paul Tavenner |
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Engineering, Mixing, Mastering |
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Ken Wallace |
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Additional Engineering |
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Mike Varney |
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Executive Production, Album Concept |
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Tucker Martine |
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Additional Engineering |
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Ralph Gibson |
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Photography |
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Max Crace |
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Photography |
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Dave Stephens |
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Graphic Design, Album Art |
Recorded and mixed at Big City Recording, Granada Hills, CA.
Additional recording at Ian London Productions, New York, NY.
Bill Frisell recorded at Flora.
Mastered at Man Alive Music Productions.
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Vol. 17, No. 2: Feb.-Mar. 2012
