|
|
Eric Gales
"Crystal Vision"
|
2006 brings a new state of mind for guitar great, Eric Gales with his new release "Crystal Vision" on Blues Bureau Records. "Crystal Vision" takes the next logical step in Gales career, further establishing him as one of the rare musical talents of his generation. This left-handed guitarist of extraordinary ability and expressive vocals is a natural for people to compare to Hendrix. Gales has developed a unique hybrid blues/rock sound that also draws upon influences as diverse as Albert King and Eric Johnson. A unique amalgam of styles, Eric Gales stands head and shoulders among other guitarists in his genre. In 2004 Eric Gales made headline music news when he was chosen to perform with Carlos Santana, Joe Satriani, Jerry Cantrell and others on the Experience Hendrix tour to honor the late, great, Jimi Hendrix. Eric's masterful guitar and vocal performances on "Crystal Vision" portend a great response from these loyal music lovers as guitarists of this quality and intensity are few and far between.
|
|
03:57 |
Retribution
|
Vocal
|
|
04:23 |
Are You My Friend?
|
Vocal
|
|
04:07 |
I Got Me A Woman
|
Vocal
|
|
03:21 |
I Don't Want You Hangin' Around
|
Vocal
|
|
07:28 |
Freedom From My Demons
|
Vocal
|
|
05:28 |
Trouble
|
Vocal
|
|
04:26 |
Crystal Vision
|
Vocal
|
|
04:36 |
Hush
|
Vocal
|
|
03:49 |
Me And My Guitar
|
Vocal
|
|
05:21 |
Plastic Girl
|
Vocal
|
|
04:27 |
Old School
|
Vocal
|
|
03:50 |
That's Just How It Is
|
Vocal
|
|
Eric Gales |
- |
Guitar, Lead Vocals, Production |
|
Thomas Pridgen |
- |
Drums |
|
Steve Evans |
- |
Bass |
|
Mark Robertson |
- |
Hammond B3, Keyboards, Engineering |
|
Jesse Bradman |
- |
Additional Background Vocals |
|
Mooka Rennick |
- |
Engineering, Mixing, Mastering |
|
Jason D`Ottavio |
- |
Engineering, Engineering Assistance, Mix Engineering |
|
Kevin Lemon |
- |
Pre-Production Recording |
|
Tim Gennert |
- |
Mastering |
|
Steve Jennings |
- |
Photography |
|
Mike Varney |
- |
Production |
|
Dave Stephens |
- |
Artwork, Layout, Design |
Mastered at Eugene Productions.
|
|
Vol. 17, No. 2: Feb.-Mar. 2012
