.customer sign in.
G9 Line
g9 Logo
g9 Nav
Logic Studio
    The ultimate box set. Everything you need to create, perform and record yuor music.
offer  offer
G9 Nav
g9 Nav
g9 Nav
g9 Nav
G9 Nav
g9 Nav
g9 Nav
g9 Nav
Guest Column: Guitar Secrets Of The Pros g9 Line
g9 pix
g9 Line
 
pix Guitar Secrets Of The Pros pix
pix
pix pix by Sebastian Kalamajski  

Page added in December, 1999

 
pix About the Author    
pix

Sebastian Kalamajski, a guitarist from Sweden, began his music studies when he was seven years old by learning how to play piano.

Sebastian is currently studying for M.D. as a biomedical scientist. His new, large (370 pages) digital book is just being published on his web site.

His web site is at www.nordisc-music.com.

Send comments to Sebastian Kalamajski.



© Sebastian Kalamajski
The goal of this article is to present a few simple, yet very effective techniques which will help with your guitar playing. I won't bother you with some theory lessons or scale patterns, this is about the tips and tricks you may never hear about. A lot of them are used widely by great guitarists around the world, and these are those things that you may explore only after a number of years of playing, or, even worse, never get to know these at all.

The great thing (?) about these techniques are that you never have to spend some extra practice time to incorporate them in your practice schedule - most of the "tips and tricks" i'm going to give you can be used within your regular practice session, jam, or whatever you do with your guitar. Sounds pretty nice, doesn't it? So, without any further introduction let's take a look at these "secrets of the pros".

TIP 1

When you're learning some new stuff on your guitar, you are probably doing it by repeating the same hand motion, or the same finger pattern over and over, so it becomes second nature. This approach works, because you're building a kind of "automatic response" in your brain, so you, in the future, don't have to think about what you're playing, where you're going to move your hands, etc. Now, I won't go any deeper here about the biological things that happens in your body, I'll get straight to the point: a lot of guitarists practice in this old-fashioned way, and it actually works. But: when you're learning some new stuff, you have to learn it right from the very beginning, otherwise you'll end up with a sloppy, or "nearly right" playing when you're done with your practice routine. Another important thing that's neglected by many instrumentalists is trying to solve the problems they may have with their playing with steady repeating of the same thing over and over. OK, it may work, but it takes time (sometimes it may not work at all).

What you always should do when trying to overcome the trouble, is to slow down and spend some time with analyzing why you have this or that trouble with your guitar playing. Look at your hand and finger movements. Are you doing it without straining, or any unnecessary extra movements? Why are your fingers not able to make the movement you want them to? Can you play the same pattern with different fingering or in some other place on the fretboard? Don't try to always force through the problems you may have, just slow down and take a closer look at how you can learn something in a better way. Then, you may go on and practice the new stuff by repeating it over and over, but now, when you know how to practice it right, it will take much less time to master it!

TIP 2

Another thing you should think of when practicing is to always concentrate on the feeling you experience when your fingers move all over the fretboard. Try to think of the perception that's rolling into your mind. Why is this so important?

  1. The correct finger movement and pressure will minimize all the tendencies that can lead to bad results you may gain from your practicing sessions. Try to always play with the same finger or hand movement, place the fingers right on the fretboard, always move your right hand with the same feeling etc. It will build a great foundation for your future playing, and will allow you to learn new things much faster than before.
  2. When you always play with the same feeling, all the time, you'll also gain good condition in your fingers. You won't get stuck being tired when you go gigging, play for other people, play for a long time, etc.
  3. You'll get better control of your fingers, you'll get your fingers moving quicker, abd you won't have to "think" with your eyes or ears if you're playing right or wrong because your fingers will do the job.


TIP 3

The best way to learn to play an instrument is to take rests within your practice session. Very intensive learning is less good than a session that's divided into modules, where, after every new module, you take some rest. The rests decrease your fatigue and helps when you're learning some new material.

How long should the rests be? It depends on how tired you are, and how long your "learning modules" are, but don't make them too long! Personally, i divide my practice time into 50-55 minutes modules and 5-10 minutes rests between every module. I can also divide modules into smaller pieces, and take some 2-3 minutes rests between them. It really helps when i practice! And I'm sure it'll help you too!

TIP 4

Have you ever wondered why your little fingers are so hard to manipulate compared to their neighbours? It's simply the natural anatomy of your body! Your ring- and little fingers are using one and the same muscle to do the extension of the finger. (Try to extend your ring finger without moving your little finger...Good luck!) Therefore, if you play fingerstyle, it's good to force your right hand to move both of these fingers when you strike a string with your ring finger. Your finger movement will be much more natural when you move both fingers at the same time, rather than trying to close out the little finger. (Of course, you shall not strike the string with your little finger, you'll just move it in the same direction as your ring finger.)

Now, let's go over to the left hand: if you try to play a hammer-on, or a trill, with your little finger you probably notice some resistance created in your hand. However, this trouble disappears when you rest your ring finger on the fretboard. This is also caused by the muscle that extends these two fingers; there's no real simple solution to this problem, you just must train your little finger until it feels OK. In other words, don't get despaired if your little finger cause you trouble, just put some more pressure on it!

pix Additional Columns by Sebastian Kalamajski pix
line
line



Home | RSS | Guitar Instruction | New CDs | Bargains | Ordering Info | G9 BackStage! | Word of Mouth | Vote | Guitar Heroes
CD Info: Charts | Listening Room MP3s | Track-By-Track | Recommendations | Sites | Reviews | Cover Art | Price List
Blog | DVD | iTunes | Gift Certificates | T-shirts | Guitar/Vocals | Who's Who | Search | BCCM | HCCM | Contact Us | Content Index
Copyright © 1996-2008 Guitar Nine Records All Rights Reserved
Any redistribution of information found at this site is prohibited
Use of this web site constitutes acceptance of the Guitar Nine Records Terms of Use. To read our Privacy Policy, click here.