Miguel Mega is an Brazilian guitarist who was profiled on the February, 2001 Undiscovered Artists page on the Guitar Nine Records site.
His new instrumental CD is entitled "Coastline".
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© Miguel Mega
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Click here for a printer-friendly version of "Tips To Sound A Little "Out", And Personalize Your Playing".
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Hello guitar pals! I am writing this column to help you sound a little outside using an easy way based on extended patterns.
In the first example, if you have a situation like, let's say,an A minor vamp you can mix (A Minor Blues + A major Blues) pentatonics. That results in a scale like this: A, B, C, C#, D, D#, E, F#, G, A. This is a terrific sounding 9 note scale. Follow me on these next two examples:
1. A minor blues (mp3)
6E--5----8-----10-----------------------------------------------
5A------------------6---7-----10--------------------------------
4D-----------------------------------7----10----12--------------
3G--------------------------------------------------------------
2B--------------------------------------------------------------
1E--------------------------------------------------------------
6E--------------------------------------------------------------
5A--------------------------------------------------------------
4D--------------------------------------------------------------
3G-----------------------9---10---12----------------------------
2B--------------------------------------10--13--15--------------
1E-----------------------------------------------------11-12-15-
2. A (major/minor) 6/7 or A79#13 (mp3)
6E--5----8---9--------------------------------------------------
5A--------------------7--9--10----------------------------------
4D--------------------------------------7--10--11---------------
3G--------------------------------------------------------------
2B--------------------------------------------------------------
1E--------------------------------------------------------------
6E-------------------------------------------------------------
5A--------------------------------------------------------------
4D--------------------------------------------------------------
3G---------------------9---11--12-------------------------------
2B-----------------------------------------10--13-14------------
1E---------------------------------------------------12--14-15--
Another good way to sound a bit different is to take the blues turnaround approach. Let's say you a have a simple 12 bar blues to fit a nice solo over:
1. A7 2. A7 3. A7 4. C#m75b 5. D7 6. D/C 7. A7 8. A7 9. E7 10. D7 11. A7 12. E7 (mp3)
It is called a turnaround, this harmonic movement starting on bar 9, and you can use the A melodic minor scale over the entire turnaround. A melodic minor scale brings us the next few chords Aminor7+, B minor7(13), Caug5, D7, E7, F#minor75b, G#alt.
If you notice, the fourth and fifth chords of the scale are exactly the same chords of the blues turnaround except in Bar 11, the A7, where A melodic minor will sound Dorian7+ against the 7 chord, sounds weird but it works!
Well, that's all for now. See ya!
Additional Columns by Miguel Mega
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Additional Guitar Technique Columns
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- And 444 more in the Guest Columnists category, view the index
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Vol. 17, No. 2: Feb.-Mar. 2012
