By: Michael Popke
aking influences from guitarist Allan Holdsworth and bassist Jack Bruce -
not to mention artists as disparate as Charlie Parker and Yes -
California-based multi-instrumentalist Al Garcia has recorded a second album
of progressive, jazz and space rock sprinkled with bursts of electronic,
Latin and cinematic music. It's really almost too much to digest, but Garcia
brilliantly paces the (almost) all-instrumental Alternate Realities -
allowing the music to become more animated and adventurous as the disc's 57
minutes unwind. The opening title track portrays a peaceful sonic landscape
that seems to indicate that Alternate Realities will be a charming if
unchallenging listen. But by the third track, "The Red Queen's Race," Garcia
picks up the pace and lets fly some fancy arpeggios while firmly finding his
bottom-end footing. He continues to do so on "Secret Correspondences" (a
laid-back piano-based tune that nevertheless gains intensity) and the
acoustic "Materia Prima" (which tastes like Santana). By the time later
tracks like "The Pleasures of Progress" and "Calculated Risk" come around,
Garcia's musical might hits its peak, with distorted spoken-word passages,
alternately jagged and soaring synths, and epic arrangements with complex
time signatures. Throughout, Garcia's wondrous sense of melody remains
intact, and although he receives a little help on drums and piano, Alternate
Realities essentially is a one-man project by one dexterous man who appears
to be equally skilled on any instrument he touches.
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